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Thọ (Phật giáo) AttributesIn general, the Pali canon describes vedanā in terms of three "modes" and six "classes." Some discourses discuss alternate enumerations including up to 108 kinds.
Hình 1: Kinh Sáu Sáu trong Kinh điển Pali: | ||||||||||
lục nhập | → | thọ | → | ái | ||||||
sáu "nội" xứ | <–> | sáu "ngoại" xứ | ||||||||
↓ | ↓ | |||||||||
↓ | xúc | |||||||||
↓ | ↑ | |||||||||
thức | ||||||||||
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Nguồn: MN 148 (Thanissaro, 1998) Chi tiết bản mẫu này |
Throughout canonical discourses (Sutta Pitaka), the Buddha teaches that there are three modes of vedanā:
Elsewhere in the Pali canon it is stated that there are six classes of vedanā, corresponding to sensations arising from contact (Skt: sparśa; Pali: phassa) between an internal sense organ (āyatana; that is, the eye, ear, nose, tongue, body or mind), an external sense object and the associated consciousness (Skt.: vijnana; Pali: viññāna). (See Figure 1.) In other words:
In a few discourses, a multitude of kinds of vedana are alluded to ranging from two to 108, as follows:
In the wider Pali literature, of the above enumerations, the post-canonical Visuddhimagga highlights the five types of vedanā: physical pleasure (sukha); physical displeasure (dukkha); mental happiness (somanassa); mental unhappiness (domanassa); and, equanimity (upekkhā).[12]
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